Download 101 Mistakes Photographers Should Never Make by Karen Dorame PDF

By Karen Dorame

Karen Dorame provides hard-won counsel and strategies that let you delicate out the bumps within the street towards a profession in specialist images. She covers gear choice and use, gentle resource ideas and lights setups utilizing normal mild and studio lights, and indicates you the way to get the main from your store-bought backgrounds and posing aids and “found" backgrounds and posing implements on position. you will discover sage recommendation on fending off posing errors for people and teams. after all, Dorame additionally bargains tips about averting universal post-production traps, saving you time, frustration, and compromised picture quality.
The stability of the ebook info difficulties that aspiring execs usually face in dealing with the enterprise aspect of images. you will research what to not do in terms of reserving classes, conceptualizing shoots, and extra. ultimately, you will how one can climate the adjustments and remain on the most sensible during this fascinating, difficult box.

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Extra resources for 101 Mistakes Photographers Should Never Make

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Use Caution When Traveling When you’re on the road, follow the lead of some travel photographers who replace blazing Nikon and Canon straps with a nondescript version. They block out any kind of reference to “camera”—especially brand names—and help avoid calling unwanted attention to your camera equipment. The very safest transport of sensitive equipment to far-off lands is with a heavy, hard-shell case. But if you can’t afford a Sherpa and are able to get your gear into a carry-on backpack, there are many brands that have securely padded cells for camera and lenses.

Newer cameras with high ISO capabilities are the superheroes in this setting; most can be used at 2500 ISO (or higher) with no obvious grain problem. High ISO settings are helpful for lifestyle photography, which is often performed with natural light inside not-so-bright homes. Capturing rambunctious children requires higher ISOs because of the need for faster shutter speeds. Don’t sacrifice a great moment for fear of bumping up the ISO—even if there’s a little noise increase. Noise is better than blur.

F. J. Westcott has a continuous lighting system called Spiderlites, available through the distributors listed on page 20. These lights are very efficient for a studio. The six bulbs inside the unit can be adjusted on and off with three switches that provide different levels (stops) of light output. The softboxes come in different sizes, with a carrying case included. Setup is easy and the bulbs are easily changed when they burn out—but they last a long time. More and more professional photographers are discovering the comfort of using daylight-balanced studio lights that take very little “math,” have fewer glitches, and less downtime.

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