By Andrew Darlow
It was once my excitement to check this ebook for the Portland Metro Photographic information a couple of months in the past. Andrew's "301 Inkjet assistance and methods" takes a logical method of answering the questions which frustrate proprietors of ink jet printers. Getting the main out of a photographic ink jet printer is a like jogging via a mine box. you could both depend on "trial and mistake" otherwise you can acquire the good thing about Andrew's highway map and get it correct the 1st time.
The inclusion of the suggestions and information of alternative revered ink jet printing specialists simply provides to the worth of this integral source. finishing the e-book with how one can end, mount and exhibit photographs used to be an unforeseen and lots more and plenty liked surprise.
As I stated in my evaluation: "In my digicam bag is my camera's handbook. along my laptop sits my Photoshop guide. And subsequent to my inkjet printer, you will find Andrew Darlow's '301 Inkjet assistance and Techniques'." it truly is nonetheless there. And, I nonetheless suggest Andrew Darlow's "301 Inkjet information and Techniques".
Read or Download 301 Inkjet Tips and Techniques: An Essential Printing Resource for Photographers (Digital Process and Print) PDF
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Additional resources for 301 Inkjet Tips and Techniques: An Essential Printing Resource for Photographers (Digital Process and Print)
This is important because it is much more convenient to have just one version of a file to make various sized prints. If every file had to be resized to exactly 180 PPI, 240 PPI, or 360 PPI at its final print size, it would create the need for additional files. For smaller prints (under 8 × 10 inches) use higher resolutions (about 300 PPI) at the final print size. When making large prints (over 30 × 40 inches) you can usually get very high quality results with lower resolutions (even as low as 100–150 PPI at the final print size).
Andrew Darlow Far too often, resolution is perceived as being complicated, but it doesn’t have to be. One of the best ways to help grasp resolution is through a simple illustration. A common file might be 8 by 10 inches at 300 PPI. This translates to 2400 pixels (8 × 300 pixels) by 3000 pixels (10 × 300 pixels), or 7,200,000 pixels total (very similar to the files that a 7-megapixel camera produces). Unless we know that the file is 8 by 10 inches, we would not know how many pixels per inch it is.
1 megapixel Canon EOS-D30 digital SLR using Photoshop (prior to the built-in Bicubic Smoother option) to about 20 × 30 inches, added noise, then printed the image on an inkjet printer. The final print looked very natural—similar to what I would expect from a pro lab that makes digital or darkroom prints. Photos © Andrew Darlow Following are the settings I often use when adding noise to images using Photoshop’s noise filter (Filter>Noise>Add Noise)—Uniform, with Monochromatic checked. Photoshop’s preview at 100% (1:1) will give you a good overview of what to expect, but to really see the effect, it is best to make test prints using different noise settings.